Chapter 1 Bibliography

Works cited in Music in the Medieval West

Anderson, Michael Alan. “Enhancing the ‘Ave Maria’ in the Ars Antiqua.” Plainsong and Medieval Music 19 (2010): 35–65.
http://dx.doi.org/10.1017/S0961137109990143
http://www.worldcat.org/oclc/615284783

Brooks, Clive. Reading Latin Poetry Aloud: A Practical Guide to Two Thousand Years of Verse. Cambridge: Cambridge University Press, 2005.
http://www.worldcat.org/oclc/148865786

Busse Berger, Anna Maria. Medieval Music and the Art of Memory. Berkeley: University of California Press, 2005.
http://www.worldcat.org/oclc/62196185

Carruthers, Mary J. The Book of Memory: A Study of Memory in Medieval Culture. 2nd ed. Cambridge and New York: Cambridge University Press, 2008.
http://www.worldcat.org/oclc/20633586

Carruthers, Mary J., and Jan Ziolkowski, eds. The Medieval Craft of Memory: An Anthology of Texts and Pictures. Philadelphia: University of Pennsylvania Press, 2004.
http://www.worldcat.org/oclc/51322044

Chickering, Howell D. and Switten, Margaret Louise, eds. The Medieval Lyric, vol. 1: Monastic Song, Troubadour Song, German Song, Trouvère Song. 3rd ed. South Hadley, MA: Mount Holyoke College, 2001.
http://www.worldcat.org/oclc/27402081

Christensen, Thomas, ed. The Cambridge History of Western Music Theory. Cambridge: Cambridge University Press, 2002.
http://www.worldcat.org/oclc/45166705

Einhard and Notker the Stammerer. Two Lives of Charlemagne. Translated by David Ganz. London: Penguin, 2008.
http://www.worldcat.org/oclc/226280161

Everist, Mark. “The Miller’s Mule: Writing the History of Medieval Music.” Music and Letters 74 (1993): 44–53.
http://www.jstor.org/stable/735192

Fassler, Margot E. Gothic Song: Victorine Sequences and Augustinian Reform in Twelfth-Century Paris. 2nd ed. Notre Dame, IN: University of Notre Dame Press, 2011.
http://www.worldcat.org/oclc/693809790

Milsom, John. “‘Imitatio,’ ‘Intertextuality,’ and Early Music.” In Citation and Authority in Medieval and Renaissance Musical Culture: Learning from the Learned, edited by S. Clarke and E. E. Leach, 141–51. Rochester, NY: Boydell, 2005.
http://www.worldcat.org/oclc/59011582

Peraino, Judith. “Re-Placing Medieval Music.” Journal of the American Musicological Society 54 (2001): 209–64.
http://www.jstor.org/stable/10.1525/jams.2001.54.2.209

Ruben, Miri. Mary the Mother of God: A History of the Virgin Mary. New Haven: Yale University Press, 2009.
http://www.worldcat.org/oclc/262432313

Treitler, Leo, ed. Strunks Source Readings in Music History. New York: W. W. Norton, 1998.
http://www.worldcat.org/oclc/38303611

Suggestions for Further Reading

Barrett, Sam. “Performing Medieval Music.” Journal of the Royal Music Association 130 (2005): 119–135.
http://www.jstor.org/stable/3557459

Biddick, Kathleen. “Translating the Foreskin.” In Queering the Middle Ages, edited by Glenn Burger and Steven F. Kruger, 93–212. Minneapolis: University of Minnesota Press, 2001.
http://www.worldcat.org/oclc/463990257

Courtney, Paul. “The Tyranny of Constructs: Some Thoughts on Periodisation and Change.” In The Age of Transition: The Archaeology of English Culture, 1400–1600, edited by David Gaimster and Paul Stamper. Oxford: Oxford University Press, 1997.
http://www.worldcat.org/oclc/39078204

Crocker, Richard and David Hiley, eds. The New Oxford History of Music, vol. 2: The Early Middle Ages to 1300. Oxford: Oxford University Press, 1990.
http://www.worldcat.org/oclc/502220030

Davis, Kathleen. Periodization and Sovereignty: How Ideas of Feudalism and Secularization Govern the Politics of Time. Philadelphia: University of Pennsylvania Press, 2008.
http://www.worldcat.org/oclc/183261811

Duffin, Ross W., ed. APerformersGuidetoMedievalMusic. Bloomington: Indiana University Press, 2000.
http://www.worldcat.org/oclc/44267795

Everist, Mark, ed. The Cambridge Companion to Medieval Music. Cambridge: Cambridge University Press, 2011.
http://www.worldcat.org/oclc/614990227

Fassler, Margot E. “The Liturgical Framework of Time and the Representation of History.” In Representing History, 900–1300: Art, Music, History, edited by Robert Maxwell, 149–171. University Park, Pa.: Pennsylvania State University Press, 2010.
http://www.worldcat.org/oclc/468233282

Haines, John. Eight Centuries of Troubadours and Trouvères: the Changing Identity of Medieval Music. Cambridge: Cambridge University Press, 2004.
http://www.worldcat.org/oclc/53822457

Hoppin, Richard. Medieval Music. New York: Norton, 1978.
http://www.worldcat.org/oclc/3843431

Kreutziger-Herr, Annette. “Imagining Medieval Music: a Short History.” In Correspondences:MedievalisminScholarshipandtheArts, edited by Tom Shippey and Martin Arnold, vol. 14 of Studies in Medievalism, 81–109. Cambridge: D.S. Brewer, 2005.
http://www.worldcat.org/oclc/60419028

Meconi, Honey, ed.  Medieval music. The Library of Essays on Music Performance Practice. Burlington: Ashgate, 2011.
http://www.worldcat.org/oclc/704526132

Reese, Gustave. Music in the Middle Ages. New York: Norton, 1940.
http://www.worldcat.org/oclc/398158

Skinner, Patricia. “Confronting the ‘Medieval’ in Medieval History: the Jewish Example.” Past & Present 181 (2003): 219–247.
http://www.jstor.org/stable/3600790

Strohm, Reinhard and Bonnie Blackburn, eds. The New Oxford History of Music, vol. 3, pt. 1: Music as Concept and Practice in the Late Middle Ages. Oxford: Oxford University Press, 2001.
http://www.worldcat.org/oclc/46909221

Yudkin, Jeremy. Music in Medieval Europe. Englewood Cliffs, NY: Prentice Hall, 1989.
http://www.worldcat.org/oclc/18963255

Warren, Joyce W. and Margaret Dickie, eds. Challenging Boundaries: Gender and Periodization. Athens, Ga., and London: University of Georgia Press, 2000.
http://www.worldcat.org/oclc/41488664

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Ave Maris Stella – Anonymous, Capriccio: cantArte Regensburg, Hubert Velten (conductor) Gregorian Chant for Marian Festivals

Naxos #C10738