Chapter 11 Bibliography

Works cited in Music in the Medieval West

Abramov-van Rijk, Elena. Parlar Cantando: The Practice of Reciting Verses in Italy from 1300–1600. Bern: Peter Lang, 2009.
http://www.worldcat.org/oclc/436945980

Beck, Eleanora M. Giotto’s Harmony: Music and Art in Padua at the Crossroads of the Renaissance. Florence: European Press Academic Publishing, 2005.
http://www.worldcat.org/oclc/60764424

Bennett, Judith M. “Ventriloquisms: When Maidens Speak in English Songs, c. 1300–1550.” In Medieval Woman’s Song: Cross-Cultural Approaches, edited by Anne L. Klinck and Ann Marie Rasmussen, 187–204. Philadelphia: University of Pennsylvania Press, 2002.
http://www.worldcat.org/oclc/47643755

Boen, Johannes. Musica, edited by W. Frobenius. Stuttgart: Musikwissenschaftliche Verlags-Gesellschaft, 1971.
http://www.worldcat.org/oclc/794625

Bowers, Roger. “Fixed Points in the Chronology of English Fourteenth-Century Polyphony.” Music and Letters 71 (1990): 313–35.
http://www.jstor.org/stable/736756

Brown, Nancy Pollard. Paperchase: The Dissemination of Catholic Texts in Elizabethan England.” English Manuscript Studies, 1100–1700, vol. 1 (1989): 120–43.
http://www.worldcat.org/oclc/19601261

Cressy, David. “Book Burning in Tudor and Stuart England.” Sixteenth Century Journal 36 (2005): 359–74.
http://www.jstor.org/stable/20477359

Cross, Lucy E. “Musica Ficta.” In A Performer’s Guide to Medieval Music, edited by Ross W. Duffin, 496–509. Bloomington: Indiana University Press, 2000.
http://www.worldcat.org/oclc/44267795

Cumming, Julie E. “Motet and Cantilena.” In A Performer’s Guide to Medieval Music, edited by Ross W. Duffin, 52–82. Bloomington: Indiana University Press, 2000.
http://www.worldcat.org/oclc/44267795

Cuthbert, Michael Scott, and Elizabeth Nyikos. “Style, Locality, and the Trecento Gloria: New Sources and a Reexamination.” Acta Musicologica 82 (2010): 185–212.
http://www.worldcat.org/oclc/701070082

Cuthbert, Michael. “Tipping the Iceberg: Missing Italian Polyphony from the Age of Schism.” Musica Disciplina 54 (2009): 39–75.
http://www.jstor.org/stable/25750547

Dobson, E. J., and F. Ll. Harrison, eds. Medieval English Songs. Cambridge: Cambridge University Press, 1979.
http://www.worldcat.org/oclc/6111879

Duncan, Thomas G. “The Maid in the Moor and the Rawlinson Text.” Review of English Studies, ns 47 (1996): 151–62.
http://www.jstor.org/stable/518099

Fuller, Sarah. “‘Delectabatur in hoc auris’: Some Fourteenth-Century Perspectives on Aural Perception.” Musical Quarterly 82 (1998): 466–81.
http://www.jstor.org/stable/742334

Gallo, F. Alberto. Music of the Middle Ages, vol. 2, translated by Karen Eales. Cambridge: Cambridge University Press, 1985.
http://www.worldcat.org/oclc/12516508

Haar, James, and John Nádas. “Antonio Squarcialupi: Man and Myth.” Early Music History 25 (2006): 105–68.
http://www.jstor.org/stable/3874756

Haggh, Barbara. “Foundations or Institutions? On Bringing the Middle Ages into the History of Medieval Music.” Acta Musicologica 68 (1996): 87–128.
http://www.jstor.org/stable/932773

Herlinger, Jan, trans. The Lucidarium of Marchetto of Padua. Chicago: University of Chicago Press, 1985.
http://www.worldcat.org/oclc/9442350

Kirkman, Andrew. The Cultural Life of the Early Polyphonic Mass: Medieval Context to Modern Revival. Cambridge: Cambridge University Press, 2010.
http://www.worldcat.org/oclc/456170299

Lefferts, Peter. The Motet in England in the Fourteenth Century. Ann Arbor: UMI Research Press, 1986.
http://www.worldcat.org/oclc/13334286

Lefferts, Peter. The Motet in England in the Fourteenth Century. Ann Arbor: UMI Research Press, 1986.
http://www.worldcat.org/oclc/13334286

Long, Michael. “Landini’s Musical Patrimony: A Reassessment of Some Compositional Conventions in Trecento Polyphony.” Journal of the American Musicological Society 40 (1987): 31–52.
http://www.jstor.org/stable/831581

McDonald, Nicola F., and W. M. Ormrod, eds. Rites of Passage: Cultures of Transition in the Fourteenth Century. York: Medieval Press, 2004.
http://www.worldcat.org/oclc/54529980

Morgan, Nigel. “The Sanctorals of Early Sarum Missals and Breviaries.” In The Study of Medieval Manuscripts of England: Festschrift in Honor of Richard W. Pfaff, edited by G. H. Brown and L. E. Voigts, 143–62. Tempe: Arizona Center for Medieval and Renaissance Studies, 2010.
http://www.worldcat.org/oclc/671916610

Nádas, John. “The Squarcialupi Codex: An Edition of Trecento Songs, c. 1410–1415.” In Il Codice Squarcialupi: MS Mediceo Palatino 87, Biblioteca Medicea Laurenziana di Firenze, edited by Alberto Gallo, 87–126. Florence: Giunti Barbèra, 1992.
http://www.worldcat.org/oclc/165441363

Ostiglia: Opera Pia G. Greggiati. “Ostiglia fragment.” Lucca: Libreria musicale italiana, 1992.
http://www.worldcat.org/oclc/27238796

Robertson, Anne Walters. “Remembering the Annunciation in Medieval Polyphony.” Speculum 70 (1995): 275–304.
http://www.jstor.org/stable/2864894

Sanders, Ernest. “English Polyphony in the Morgan Library Manuscript.” Music and Letters 61 (1980): 172–76.
http://www.jstor.org/stable/733341

Strohm, Reinhard. “The Ars Nova Fragments of Gent.” Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis 34 (1984): 109–31.
http://www.jstor.org/stable/939011

Toliver, Brooks. “Improvisation in the Madrigals of the Rossi Codex.” Acta Musicologica 64 (1992): 165–76.
http://www.jstor.org/stable/932914

Vatican City: Biblioteca Apostolica Vaticana. Rossi 215, “Codex Rossi,” 14th century.
http://www.worldcat.org/oclc/31214596

Vivarelli, Carla. “‘Di una pretesa scuola napoletana’: Sowing the Seeds of the Ars Nova at the Court of Robert of Anjou.” Journal of Musicology 24 (2007): 272–96.
http://www.jstor.org/stable/10.1525/jm.2007.24.2.272

Wathey, Andrew. “The Production of Books of Liturgical Polyphony.” In Book Production and Publishing in Britain, 1375–1475, edited by Jeremy Griffiths and Derek Pearsall, , 143–61. Cambridge: Cambridge University Press, 2007.
http://www.worldcat.org/oclc/18414864

Williamson, Magnus. “Liturgical Polyphony in the Pre-Reformation English Parish Church: A Provisional List and Commentary.” Royal Musical Association Research Chronicle 38 (2005): 1–43.
http://www.jstor.org/stable/25099498

Wilson, Blake McDowell. Singing Poetry in Renaissance Florence: The “Cantasi Come” Tradition (1375–1550). Florence: Olschki, 2009.
http://www.worldcat.org/oclc/320436288

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