Chapter 12 Bibliography

Works cited in Music in the Medieval West

Albert von Strassburg (1303–1359), in Frauenlob’s Song of Songs: A Medieval German Poet and His Masterpiece, translated by Barbara Newman. University Park: Pennsylvania State University Press, 2006.

Attinger, Gisela. “Sequences in Two Icelandic Mass Books from the Later Middle Ages,” in The Sequences of Nidaros: A Nordic Repertory and Its European Context, edited by Lori Kruckenberg and Andreas Haug, 165–81. Trondheim: Tapir, 2006.

Bell, Nicholas. The Las Huelgas Music Codex: A Companion Study to the Facsimile. Madrid: Testimonio Compañía Editorial, 2003.

Bracken, Paul. “The Myth of the Medieval Minstrel: An Interdisciplinary Approach to Performers and the Chansonnier Repertory.” Viator 33 (2002): 100–116.

Brewer, Charles. “Non-Liturgical Monophony: Latin.” in A Performer’s Guide to Medieval Music, edited by Ross W. Duffin, 115–21. Bloomington: Indiana University Press, 2000.

Brown, Howard Mayer and Stanley Sadie, eds. Performance Practice: Music before 1600. New York: W.W. Norton, 1989.

Brunner, Horst and Karl-Günther Hartmann, eds. Spruchsang: Die Melodien der Sangspruchdichter des 12. bis 15 Jahrhunderts. Kassel: Bärenreiter, 2010.

Dobozy, Maria. Re-Membering the Present: The Medieval German Poet-Minstrel in Cultural Context. Turnhout: Brepols, 2005.

Fassler, Margot and Rebecca A. Baltzer. The Divine Office in the Latin Middle Ages. Oxford: Oxford University Press: 2000.

Gómez, Maricarmen. “Minstrel Schools in the Late Middle Ages,” translated by Barbara Haggh. Early Music 18 (1990): 212–16.

Hamburger, Jeffery F. and Susan Marti, eds. Crown and Veil: Female Monasticism from the Fifth to the Fifteenth Centuries, translated by Dietlinde Hamburger. New York: Cambridge University Press, 2008.

Hamburger, Jeffery F., ed. Leaves from Paradise: The Cult of John the Evangelist at the Dominican Convent of Paradies bei Soest. Cambridge: Harvard University Press, 2008.

Heng, Geraldine. “The Global Middle Ages: An Experiment in Collaborative Humanities or in Imagining the World, 500–1500 C.E.” English Language Notes 47 (2009): 205–16.

Jeffery, Peter. “Popular Culture on the Periphery of the Medieval Liturgy.” Worship 55 (1981): 419–27.

Jeffery, Peter. Re-Envisioning Past Musical Cultures: Ethnomusicology in the Study of Gregorian Chant. Chicago: University of Chicago Press, 1995.

Jones, E.A. and Alexandra Walsham, eds. Syon Abbey and Its Books: Reading, Writing, and Religion, c. 14001700. Woodbridge: Boydell, 2010.

Jones, Malcolm. The Secret Middle Ages. Westport, Connecticut: Praeger, 2003.

Jordan, Weseley D. “Four Twelfth-Century Musico-Liturgical Manuscripts from the Cistercian Monastery of Las Huelgas, Burgos.” Manuscripta 37 (1993): 21–70.

Knighton, Tess and David Fallows, eds. A Companion to Medieval and Renaissance Music. New York: Schirmer Books, 1992.

Matthews, Alastair. “Literary Lives in Medieval Germany: The Wartburg Song Contest in Three Hagiographical Narratives.” Deutsche Vierteljahrsschrift für Literaturwissenschaft und Geistesgeschichte 84 (2010): 44–59.

Molina, Mauricio.Frame Drums in the Medieval Iberian Peninsula. Kassel: Reichenberger, 2010.

Montserrat, Biblioteca del Monasterio MS 1, f. 22r (trans. Peter Jeffery).

Olson, Linda and Kathryn Kerby-Fulton, eds. Voices in Dialogue: Reading Women in the Middle Ages. Notre Dame, Indiana: University of Notre Dame Press, 2005.

Page, Christopher. Voices and Instruments of the Middle Ages. Berkeley: University of California Press, 1986.

Rowland-Jones, Anthony. “Iconography in the History of the Recorder up to c. 1430: Part 1.” Early Music 33 (2005): 557–74.

Welker, Lorenz. “Some Aspects of the Notation and Performance of German Song around 1400,” translated by Barbara Haggh. Early Music 18 (1990): 235–46.

Widdess, Richard. The Rāgas of Early Indian Music: Modes, Melodies, and Musical Notations from the Gupta Period to c. 1250. New York: Oxford University Press, 1995.

Yardley, Anne Bagnall. “’Fulweel she soong the service dyvyne’: The Cloistered Musician in the Middle Ages,” in Women Making Music: The Western Art Tradition, 11501950, edited by Jane Bowers and Judith Tick, 15–38. Urbana: University of Illinois Press, 1986.

Yardley, Anne Bagnall. Performing Piety: Musical Culture in Medieval English Nunneries. New York: Palgrave, 2006.


Suggestions for Further Reading

Amstutz, Renate. Ludus de decem virginibus: Recovery of the Sung Liturgical Core of the Thuringian Zehnjungfrauenspiel. Toronto: Pontifical Institute of Mediaeval Studies, 2002.

Anderson, Gordon. “The Notation of the Bamberg and Las Huelgas Manuscripts.” Musica Disciplina 32 (1978): 19-67.

Baumgarten, Elisheva. Mothers and children: Jewish Family Life in Medieval Europe. Princeton: Princeton University Press, 2004.

Blachly, Alexander. “Archaic Polyphony in Dutch Sources of the Renaissance.” Tijdschrift van de Koninklijke Vereniging voor Nederlandse Muziekgeschiedenis 53 (2003): 183-227.

Bukofzer, Manfred. “Popular Polyphony in the Middle Ages.” The Musical Quarterly 26 (1940): 31-49.

Carlebach, Elisheva. Palaces of Time: Jewish Calendar and Culture in Early Modern Europe. Cambridge, MA: Belknap Press of Harvard University Press, 2011.

Constable, Olivia Remie. “Religious Noise: the Council of Vienne, the Mosque Call and Muslim pilgrimage in the Late Medieval Mediterranean World.” Medieval Encounters 16 (2010): 64-95.

Davies, Rebecca J. “The reception of Conon de Béthune’s Ahi! Amors, com dure departie in Minnesang: questions of music and metrical form.” Jahrbuch der Oswald von Wolkenstein-Gesellschaft 9 (1997): 495-508.

Harrison, Anna. “’ I am Wholly Your Own’: Liturgical Community and Piety among the Nuns of Helfta.” Church History 78 (2009): 549-583.

Long, Sarah. “In Praise of St. Nicholas: Music, Text, and Spirituality in the Masses and Offices of Parisian Trade Confraternity Manuscripts.” Journal of the Alamire Foundation 1 (2009): 50-78.

Muir, Carolyn Diskant. “Love and Courtship in the Convent: St. Agnes and the Adult Christ in Two Upper Rhine Manuscripts.” Gesta 47 (2008): 123-145.

Strohm, Reinhard. “Late Medieval Sacred Songs: Tradition, Memory, and History.” In Identity and locality in early European music, 1028-1740, edited by Jason Stoessel, 129-146. Farnham, England; Burlington, VT: Ashgate, c. 2009.

Vlhová-Wörner, Hana. “Three; nine; nine and three: Forms of Kyrie tropes in the late medieval tradition.” In Hortus troporum:Florilegium in honorem Gunillae Iversen—A Festschrift in honour of Professor Gunilla Iversen, edited by Alexander Andrée and Erika Kihlman, 138-151. Stockholm: Stockholms Universitet, 2008.

Yri, Kirsten. “Noah Greenberg and the New York Pro Musica: Medievalism and the Cultural Front.” American Music 24 (2006): 421-444.

Yri, Kirsten. “Thomas Binkley and the Studio der Frühen Musik: Challenging ‘the myth of Westernness.'” Early Music 38 (2010): 273-280.