Chapter 3 Bibliography

Works cited in Music in the Medieval West

Boynton, Susan. “Plainsong.” In The Cambridge Companion to Medieval Music, edited by Mark Everist, 9–25. Cambridge: Cambridge University Press, 2011.
http://www.worldcat.org/oclc/845648346

Crocker, Richard. An Introduction to Gregorian Chant. New Haven: Yale University Press, 1999.
http://www.worldcat.org/oclc/42980246

Fassler, Margot. “The Office of the Cantor in Early Western Monastic Rules and Customaries: A Preliminary Investigation.” Early Music History 5 (1985): 29–51.
http://www.jstor.org/stable/853918

Hiley, David. Western Plainchant: A Handbook. Oxford: Oxford University Press, 1995.
http://www.worldcat.org/oclc/841188837

Jeffery, Peter. Re-Envisioning Past Musical Cultures: Ethnomusicology in the Study of Gregorian Chant. Chicago: University of Chicago Press, 1992.
http://www.worldcat.org/oclc/24501732

Levy, Kenneth. Gregorian Chant and the Carolingians. Princeton: Princeton University Press, 1998.
http://www.worldcat.org/oclc/36954646

Page, Christopher. The Christian West and Its Singers: The First Thousand Years. New Haven: Yale University Press, 2010.
http://www.worldcat.org/oclc/420939523

Rankin, Susan. “Carolingian Music.” In Carolingian Culture: Emulation and Innovation, edited by Rosamund McKitterick, 274–316. Cambridge: Cambridge University Press, 1994. http://www.worldcat.org/oclc/26855358

Treitler, Leo. With Voice and Pen: Coming to Know Medieval Song and How It Was Made. Oxford: Oxford University Press, 2003.
http://www.worldcat.org/oclc/50913051

Suggestions for Further Reading

Apel, Willi. Gregorian Chant. Bloomington: Indiana University Press, 1958.
http://www.worldcat.org/oclc/608792

Cardine, Eugène. Gregorian semiology. Translated by M. Fowels. Sablé-sur-Sarthe [France]: Solesmes, 1982 (original published in French, 1970).
http://www.worldcat.org/oclc/17208307

Fassler, Margot. Review of The Christian West and its Singers: the First One-Thousand Years by Christopher Page. Plainsong and Medieval Music 21 (2012): 201–215.
http://dx.doi.org/10.1017/S0961137112000058
http://www.worldcat.org/oclc/4907357253

Gallagher, Sean, ed. Western Plainchant in the First Millennium: Studies in the Medieval Liturgy and its Music. Aldershot, Hants, England; Burlington, VT: Ashgate, 2003.
http://www.worldcat.org/oclc/470407214

Hankeln, Roman, ed. The Offertory and its Verses: Research, Past, Present and Future: Proceedings of an International Symposium at the Centre for Medieval Studies, Trondheim, 25 and 26 September 2004. Trondheim: Tapir, 2007.
http://www.worldcat.org/oclc/605276369

Hornby, Emma. “The Transmission of Western Chant in the 8th and 9th Centuries: Evaluating Kenneth Levy’s Reading of the Evidence.” Journal of Musicology 21 (2004): 418–457.
http://www.jstor.org/stable/10.1525/jm.2004.21.3.418

Kelly, Thomas F. Chant and its Origins. Farnham: Ashgate, 2009.
http://www.worldcat.org/oclc/243821437

Kelly, Thomas F. Studies in Chant and Performance. Farnham: Ashgate, 2010.
http://www.worldcat.org/oclc/837667212

Levy, Kenneth. “Gregorian Chant and the Romans.” Journal of the American Musicological Society 56 (2003): 5–41.
http://www.jstor.org/stable/10.1525/jams.2003.56.1.5

Maloy, Rebecca. “The Word–Music Relationship in the Gregorian and Old Roman Offertories.” Studia Musicologica 45 (2004): 131–148.
http://www.jstor.org/stable/25164428

McKitterick, Rosamond. Perceptions of the past in the Early Middle Ages. Notre Dame, IN: University of Notre Dame Press, 2006.
http://www.worldcat.org/oclc/70676575

Nardini, Luisa. “Aliens in disguise: Byzantine and Gallican chants in the Latin liturgy.” Plainsong and Medieval Music 16 (2007): 145–172.
http://dx.doi.org/10.1017/S096113710700068X
http://www.worldcat.org/oclc/367277842

Page, Christopher. “Freedom of Movement and the Rise of European Music in the Early Middle Ages.” In Freedom of Movement in the Middle Ages: Proceedings of the 2003 Harlaxton Symposium, edited by Peregrine Horden, 1–18. Donington: Shaun Tyas, 2007.
http://www.worldcat.org/oclc/173080224

Peattie, Matthew. “Transcribing the Beneventan Chant.” Plainsong and Medieval Music 19 (2010): 139–167.
http://dx.doi.org/10.1017/S0961137110000069
http://www.worldcat.org/oclc/4668892941

Petersen, Nils Holger. “Carolingian music, ritual, and theology.” In The Appearances of Medieval Rituals: The Play of Construction and Modification, edited by Nils Holger Petersen, et al., 13–31. Turnhout: Brepols, 2004.
http://www.worldcat.org/oclc/56963985

Planchart, Alejandro. “The Opening Chant at Easter in the Latin West.” In ‘Et facciam dolçi canti’: Studi in onore di Agostino Ziino in occasione del suo 65o compleanno, edited by Theresa Maria Giadroni, et al., 61–96. Lucca: LIM, 2003.
http://www.worldcat.org/oclc/56893354

Rankin, Susan. “On the Treatment of Pitch in Early Music Writing.” Early Music History 30 (2011): 105–175.
http://dx.doi.org/10.1017/S0261127911000039
http://www.worldcat.org/oclc/4804314533

Advertisements