Chapter 4 Bibliography

Works cited in Music in the Medieval West

Bjork, David A. The Aquitanian Kyrie Repertory of the Tenth and Eleventh Centuries, edited by Richard L. Crocker. Aldershot, Hampshire, and Burlington, VT: Ashgate, 2003.
http://www.worldcat.org/oclc/51461079

Bjork, David A. “On the Dissemination of Quem quaeritis and the Visitatio sepulchri and the Chronology of Their Early Sources.” Comparative Drama 14(1980): 46–69.
http://www.jstor.org/stable/41152871

Black, Jonathan. “The Use of Liturgical Texts in Hrotsvit’s Works.” In Hrotsvit of Gandersheim: Rara Avis in Saxonia? edited by Katharina M. Wilson, 165–81. Ann Arbor, MI: Medieval and Renaissance Colloquium, 1987.
http://www.worldcat.org/oclc/17674233

Blackburn, Bonnie J. and Leofranc Holford-Strevens. The Oxford Companion to the Year. Oxford: Oxford University Press, 1999.
http://www.worldcat.org/oclc/41834121

Bower, Calvin M. “From Alleluia to Sequence: Some Definitions of Relations.” In Western Plainchant in the First Millennium, edited by Sean Gallagher et al., 351–98. Burlington, VT: Ashgate: 2003.
http://www.worldcat.org/oclc/48084216

Chamberlain, David. “Musical Imagery and Musical Learning in Hrotsvit.” In Hrotsvit of Gandersheim: Rara Avis in Saxonia? A Collection of Essays, edited by Katharina M. Wilson, 79–97. Ann Arbor, MI: Medieval and Renaissance Colloquium, 1987.
http://www.worldcat.org/oclc/17674233

Cochelin, Isabelle. “When the Monks Were the Book: The Bible and Monasticism (6th–11th Centuries).” In The Practice of the Bible in the Middle Ages: Production, Reception, and Performance in Western Christianity, edited by Susan Boynton and Diane Reilly, 61–83. New York: Columbia University Press, 2011.
http://www.worldcat.org/oclc/664259428

Crocker, Richard L. The Early Medieval Sequence. Berkeley: University of California Press, 1977.
http://www.worldcat.org/oclc/3060680

Crocker, Richard L. “The Troping Hypothesis.” Musical Quarterly 52 (1966): 183–203.
http://www.jstor.org/stable/741036

Ekkehard IV. “The Three Inseparables,” from Ekkehard’s History of St. Gall. In Life in the Middle Ages, edited by George Gordon Coulton, 50–57. Cambridge: Cambridge University Press, 1967.
http://www.worldcat.org/oclc/254913

Evans, Paul. The Early Trope Repertory of Saint Martial de Limoges. Princeton: Princeton University Press, 1970.
http://www.worldcat.org/oclc/89759

Fassler, Margot E., and Rebecca A. Baltzer, eds. The Divine Office in the Latin Middle Ages: Methodology and Source Studies, Regional Developments, Hagiography. New York: Oxford University Press, 2000.
http://www.worldcat.org/oclc/40805499

Flanigan, C. Clifford. “The Roman Rite and the Origins of the Liturgical Drama.” University of Toronto Quarterly 43 (1974): 263–84.
http://dx.doi.org/10.3138/utq.43.3.263
http://www.worldcat.org/oclc/4955359154

Forse, James H. “Religious Drama and Ecclesiastical Reform in the Tenth Century.” Early Theater 5 (2002): 47–70.
http://www.worldcat.org/oclc/646068437

Fuller, Sarah. “Interpreting Hucbald on Mode.” Journal of Music Theory 52 (2008): 13–40.
http://www.jstor.org/stable/40607028

Gamer, Helena M. “The Earliest Evidence of Chess in Western Literature: The Einsiedeln Verses.” Speculum 29 (1954): 734–50.
http://www.jstor.org/stable/2847098

Grier, James. The Musical World of a Medieval Monk: Adémar de Chabannes in Eleventh-Century Aquitaine. Cambridge: Cambridge University Press, 2006.
http://www.worldcat.org/oclc/76481528

Grotans, Anna A. Reading in Medieval St. Gall. Cambridge: Cambridge University Press, 2006.
http://www.worldcat.org/oclc/60835363

Harper, John. The Forms and Orders of Western Liturgy: From the Tenth to the Eighteenth Century. Oxford: Oxford University Press, 1991.
http://www.worldcat.org/oclc/23178621

Haug, Andreas. “Re-Reading Notker’s Preface.” In Quomodo cantabimus canticum? Studies in Honor of Edward H. Roesner, edited by David Cannata et al., 65–80. Middleton, WI: American Institute of Musicology, 2008.
http://www.worldcat.org/oclc/233635064

Hroswitha, Ascensio. Translated by M. Gonsalva Wiegand in “The Non-Dramatic Works of Hroswitha,” 75–86. PhD diss., St. Louis University, 1936.
http://www.worldcat.org/oclc/247075807

Iversen, Gunilla. “Aspects of the Transmission of the Quem Quaeritis.” Text: transactions of the Society for Textual Scholarship 3 (1987): 155–82.
http://www.worldcat.org/oclc/9117816

Kruckenberg, Lori. “Making a Sequence Repertory.” In The Sequences of Nidaros: A Nordic Repertory and Its European Context, edited by Lori Kruckenberg and Andreas Haug, 5–44. Trondheim: Tapir Academic Press, 2006.
http://www.worldcat.org/oclc/86222662

Planchart, Alejandro. “On the Nature of Transmission and Change in Trope Repertories.” Journal of the American Musicological Society 41 (1988): 215–49.
http://www.jstor.org/stable/831433

Rankin, Susan. “The Earliest Sources of Notker’s Sequences: St Gallen, Vadiana 317, and Paris, Bibliothèque Nationale Lat. 10587.” Early Music History 10 (1991): 201–3.
http://www.jstor.org/stable/942454

Suggestions for Further Reading

Arlt, Wulf and Susan Rankin, eds. Stiftsbibliothek Sankt Gallen Codices 484 & 381 / kommentiert und in Faksimile. Wintherthur, Zurich: Amadeus; New York: OMI [distributor], 1996.
http://www.worldcat.org/oclc/468261029

Berschin, Walter. “Early medieval Latin poetry of Mary.” In The Church and Mary : papers read at the 2001 Summer Meeting and the 2002 Winter Meeting of the Ecclesiastical History Society, edited by R. N. Swanson, vol 39 of Studies in Church History, 112–125. Woodbridge, Suffolk, UK; Rochester, NY: Boydell Press, 2004.
http://www.worldcat.org/oclc/56329090

Björkvall, Gunilla and Andreas Haug. “Performing Latin verse: Text and music in early Medieval versified Offices.” In The Divine Office in the Latin Middle Ages: Methodology and source studies, regional developments, hagiography, edited by Margot Fassler and Rebecca A. Baltzer, 278–299. Oxford: Oxford University Press, 2000.
http://www.worldcat.org/oclc/40805499

Billett, Jesse. “The Liturgy of the ‘Roman’ office in England from the Conversion to the Conquest.” In Rome across Time and Space: Cultural Transmission and the Exchange of Ideas c. 500–1400, edited by Claudia Bolgia et al., 84–110. Cambridge: Cambridge University Press, 2011.
http://www.worldcat.org/oclc/694172157

Boe, John. “Gloria A and the Roman Easter Vigil Ordinary.” Musica Disciplina 36, (1982): 5–37.
http://www.jstor.org/stable/20532244

Colette, Marie-Noël, ed. Paris, Bibl. Nationale, nouv. acq. lat. 1871. Tropaire séquentiaire prosaire prosulaire de Moissac. Publications de la Société française de Musicologie, I/27. Paris: Société française de musicologie, 2006.
http://www.worldcat.org/oclc/77110153

Corpus Troporum. Editions of trope texts with commentaries, now in over ten volumes, edited by Gunilla Björkvall, Gunilla Iversen, Ritva Jacobsson, et al. Stockholm: Almqvist and Wiksell International, 1975–.
http://www.worldcat.org/oclc/605329613

Dobszay, László. “Antiphon variants and chant transmissions.” Studia Musicologia 45 (2004): 67–93.
http://www.jstor.org/stable/25164424

Dyer, Joseph. “The Singing of Psalms in the Early-Medieval Office.” Speculum 64 (1989): 535–578.
http://www.jstor.org/stable/2854183

Fassler, Margot. “Filming the Nuns of Regina Laudis: Old and New Evidence for Monastic Studies.” Religion Compass 4 (2010): 340–352.
dx.doi.org/10.1111/j.1749-8171.2009.00194.x
http://www.worldcat.org/oclc/642267218

Fassler, Margot. “Mary’s Nativity, Fulbert of Chartres, and the Stirps Jesse: Liturgical Innovation circa 1000 and Its Afterlife.” Speculum 75 (2000): 389–434.
http://www.jstor.org/stable/2887583

Goudesenne, Jean-François. “A typology of historiae in West Francia (8–10 c.)” Plainsong and Medieval Music 13 (2004): 1–31.
http://dx.doi.org/10.1017/S0961137104000014
http://www.worldcat.org/oclc/362877516

Helms, Mary W. “Sacred Landscape and the Early Medieval European Cloister. Unity, Paradise, and the Cosmic Mountain.” Anthropos 97 (2002): 435–453.
http://www.jstor.org/stable/40466044

Hughes, David G. “The Paschal Alleluia in Medieval France.” Plainsong and Medieval Music 14 (2005): 11–57.
http://dx.doi.org/10.1017/S0961137105000197
http://www.worldcat.org/oclc/363034855

Pfisterer, Andreas. “Italian and Gallican Alleluia Psalmody.” Plainsong and Medieval Music 17 (2008): 55–68.
http://dx.doi.org/10.1017/S0961137108000776
http://www.worldcat.org/oclc/4668892903

Steiner, Ruth. “Hartker’s antiphoner and the Oral Tradition of Chant at St. Gall.” In Sangallensia in Washington: The Arts and Letters of Medieval St. Gall Viewed from the Late Twentieth Century, edited by James C. King, 199–212. New York: P.Lang, 1993.
http://www.worldcat.org/oclc/26853444