Chapter 5 Bibliography

Adémar de Chabannes, Chronique, translated by Yves Chauvin and Georges Pon. Turnhout: Brepols, 2003.
http://www.worldcat.org/oclc/535491187

Arlt, Wulf. “Stylistic Layers in Eleventh-Century Polyphony: How Can the Continental Sources Contribute to Our Understanding of the Winchester Organa?” In Music in the Medieval English Liturgy, edited by Susan Rankin and David Hiley, 10141. Oxford: Oxford University Press, 1993.
http://www.worldcat.org/oclc/27146716

Boynton, Susan. “Training for the Liturgy as a Form of Monastic Education.” In Medieval Monastic Education, edited by  George Ferzoco and Carolyn Muessig, 720. London: Leicester University Press, 2000.
http://www.worldcat.org/oclc/558814076

Chenu, Marie-Dominique. “The Symbolist Mentality.” In Nature, Man and Society in the Twelfth Century: Essays on New Theological Perspectives in the Latin West, edited and translated by Lester Little and Jerome Taylor. (Toronto: University of Toronto Press, 1997).
http://www.worldcat.org/oclc/36342680

Fassler, Margot. “Adventus in Chartres: Ritual Models for Major Processions.” In Ceremonial Culture in Pre-Modern Europe, edited by Nicholas Howe. Notre Dame, IN: University of Notre Dame Press, 2007.
http://www.worldcat.org/oclc/72698866

Forsyth, Ilene. “Magi and Majesty: A Study of Romanesque Sculpture and Liturgical Drama.” Art Bulletin 50 (1968): 215–22.
http://www.jstor.org/stable/3048546

Geary, Patrick J. Furta sacra: Thefts of Relics in the Central Middle Ages. Revised edition. Princeton: Princeton University Press, 1990.
http://www.worldcat.org/oclc/23692106

Guido of Arezzo. Micrologus. In Hucbald, Guido, and John on Music: Three Medieval Treatises, edited by Claude V. Palisca, translated by Warren Babb. New Haven: Yale University Press, 1978.
http://www.worldcat.org/oclc/2798882

Hahn, Cynthia. “The Voices of the Saints: Speaking Reliquaries.” Gesta 36 (1997): 20–31.
http://www.jstor.org/stable/767276

Haines, John. “The Origins of the Musical Staff.” Musical Quarterly 91 (2008): 327–78.
http://dx.doi.org/10.1093/musqtl/gdp002
http://www.jstor.org/stable/20534535

Hiley, David. “The Music of Prose Offices in Honour of English Saints.” Plainsong and Medieval Music 10 (2001): 2337.
http://dx.doi.org/10.1017/S0961137101000031
http://www.worldcat.org/oclc/363563162

John. On Music. In Hucbald, Guido, and John on Music: Three Medieval Treatises, edited by Claude V. Palisca, translated by Warren Babb. New Haven: Yale University Press 1978.
http://www.worldcat.org/oclc/2798882

Jones, Charles W. The Saint Nicholas Liturgy and Its Literary Relationships (Ninth to Twelfth Centuries), with an essay on the music by Gilbert Reaney. Berkeley: University of California Press, 1963.
http://www.worldcat.org/oclc/186292744

Kruckenberg, Lori. “Neumatizing the Sequence: Special Performances of Sequences in the Central Middle Ages.” Journal of the American Musicological Society 59 (2006): 243–317.
http://www.jstor.org/stable/10.1525/jams.2006.59.2.243

Malcolm, Joan. “Epistola Joannis Cottonis ad Fulgentium episcopum.” Musica Disciplina 47 (1993): 15969.
http://www.jstor.org/stable/20532373

Pesce, Dolores. “Guido d’Arezzo, ‘Ut Queant Laxis,’ and Musical Understanding.” In Music Education in the Middle Ages and the Renaissance, edited by Russell Eugene Murray, Susan Forscher Weiss, and Cynthia J. Cyrus, 2536. Bloomington: Indiana University Press, 2010.
http://www.worldcat.org/oclc/657643811

Planchart, Alejandro. The Repertory of Tropes of Winchester. Princeton: Princeton University Press, 1977.
http://www.worldcat.org/oclc/2401524

Rankin, Susan, ed. The Winchester Troper. London: Stainer and Bell, 2007.
http://www.worldcat.org/oclc/191879009

Remensnyder, Amy G. “Legendary Treasure at Conques: Reliquaries and Imaginative Memory.” Speculum 71 (1996): 884–906.
http://www.jstor.org/stable/2865723

Vitz, Evelyn Birge, et al. Performing Medieval Narrative. Cambridge, and Rochester, NY : D. S. Brewer, 2005.
http://www.worldcat.org/oclc/56591913

Williams, Peter. “The Meaning of ‘Organum’: Some Case Studies.” Plainsong and Medieval Music 10 (2001): 10320.
http://dx.doi.org/10.1017/S0961137101000080
http://www.worldcat.org/oclc/364098553

Wright, Craig. “The Palm Sunday Procession in Medieval Chartres.” In The Divine Office in the Latin Middle Ages, edited by Margot Fassler and Rebecca A. Baltzer. Oxford: Oxford University Press, 2000.
http://www.worldcat.org/oclc/40805499

Wulfstan of Winchester. Narratio metrica de S. Swithvno. Cited in Michael Lapidge, The Cult of St. Swithun, 387. Oxford: Oxford University Press, 2003.
http://www.worldcat.org/oclc/50270200

Young, Karl, ed. The Drama of the Medieval Church. 2 volumes. Oxford: Oxford University Press, 1933.
http://www.worldcat.org/oclc/2954831

Suggestions for Further Reading

Arlt, Wulf. “Sequence and ‘Neues Lied.’” In La Sequenza medievale: Atti del Convegno Internazionale, Milano, 7–8 aprile 1984, edited by Agostino Ziino, 2–18. Lucca: Libreria Musicale Italiana Editrice, 1992.
http://www.worldcat.org/oclc/605489324

Boynton, Susan. “Liturgy and History at the Abbey of Farfa in the late eleventh century: Hymns of Peter Damian and other Additions to BAV Chigi C.VI.177.” Sacris Erudiri 39 (2000): 317–344.
http://www.worldcat.org/oclc/4815913188

Boynton, Susan and Margot Fassler, “Language, Form, and Performance: The Latin Texts of Monophonic Liturgical Chants,” in the Oxford Handbook of Medieval Latin, edited by Ralph Hexter and David Townsend, 686–730. Oxford: Oxford University Press, 2011.
http://www.worldcat.org/oclc/768493241

Boynton, Susan and Eric Rice, eds. Young Choristers, 650–1700. Rochester: Boydell, 2008.
http://www.worldcat.org/oclc/213307987

Björkvall, Gunilla and Andreas Haug. “Sequence and versus: on the history of rhythmical poetry in the eleventh century.” In Latin Culture in the Eleventh Century: Proceedings of the Third International Conference on Medieval Latin Studies Cambridge, September 9–12, 1998, Michael W. Herren et al. Vol. 1, 57–82 (Publications of the Journal of Medieval Latin, 5). Turnhout: Brepols, 2002.
http://www.worldcat.org/oclc/615525376

Currie, Gabriela Ilnitchi. The Play of Meanings: Aribo’s De musica and the Hermeneutics of Musical Thought. Lanham, Md.: Scarecrow Press, 2005.
http://www.worldcat.org/oclc/58595086

Fredell, Joel. “The Three Clerks and St. Nicholas in Medieval England.” Studies in Philology 92 (1995): 181–202.
http://www.jstor.org/stable/4174513

Geary, Patrick. Women at the Beginning: Origin Myths from the Amazons to the Virgin Mary. Princeton, N.J.: Princeton University Press, 2006.
http://www.worldcat.org/oclc/60373756

Green, Edward. “What Is Chapter 17 of Guido’s ‘Micrologus’ about? A Proposal for a New Answer.” International Review of the Aesthetics and Sociology of Music 38 (2007): 143–170.
http://www.jstor.org/stable/25487523

Hiley, David. “The Office Chants for St. Oswald, King of Northumbria and Martyr.” In A due: Musical essays in honour of John D. Bergsagel and Heinrich W. Schwab, edited by Ole Kongsted, et al., 244–259. Copenhagen: University of Copenhagen, 2008.
http://www.worldcat.org/oclc/232583104

Iversen, Gunilla. Laus Angelica: Poetry in the Medieval Mass. Edited by Jane Flynn; translated by William Flynn. Turnhout, Belgium: Brepols, 2010. (Originally published in French, 2001).
http://www.worldcat.org/oclc/656550247

Kroll, Norma. “Power and Conflict in Medieval Ritual and Plays: The Re-Invention of Drama.”Studies in Philology 102 (2005): 452–483.
http://www.jstor.org/stable/4174831

Kruckenberg, Lori. “The Sequence from 1050–1150: Study of a Genre in Change” PhD dissertation. University of Iowa, 1997.
http://www.worldcat.org/oclc/40294358

Mengozzi, Stefano. “Virtual Segments: The Hexachordal System in the Late Middle Ages.” The Journal of Musicology 23, No. 3 (2006): 426–467.
http://www.jstor.org/stable/10.1525/jm.2006.23.3.426

Seidel, Linda. “Rethinking ‘Romanesque;’ Re-Engaging Roman[z].” Gesta 45 (2006): 109–123.
http://www.jstor.org/stable/25067135

Tinkle, Theresa. “Exegesis Reconsidered: The Fleury ‘Slaughter of Innocents’ and the Myth of Ritual Murder.” The Journal of English and Germanic Philology 102 (2003): 211–243.
http://www.jstor.org/stable/27712332

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