Chapter 5 Bibliography

Adémar de Chabannes, Chronique, translated by Yves Chauvin and Georges Pon. Turnhout: Brepols, 2003.

Arlt, Wulf. “Stylistic Layers in Eleventh-Century Polyphony: How Can the Continental Sources Contribute to Our Understanding of the Winchester Organa?” In Music in the Medieval English Liturgy, edited by Susan Rankin and David Hiley, 10141. Oxford: Oxford University Press, 1993.

Boynton, Susan. “Training for the Liturgy as a Form of Monastic Education.” In Medieval Monastic Education, edited by  George Ferzoco and Carolyn Muessig, 720. London: Leicester University Press, 2000.

Chenu, Marie-Dominique. “The Symbolist Mentality.” In Nature, Man and Society in the Twelfth Century: Essays on New Theological Perspectives in the Latin West, edited and translated by Lester Little and Jerome Taylor. (Toronto: University of Toronto Press, 1997).

Fassler, Margot. “Adventus in Chartres: Ritual Models for Major Processions.” In Ceremonial Culture in Pre-Modern Europe, edited by Nicholas Howe. Notre Dame, IN: University of Notre Dame Press, 2007.

Forsyth, Ilene. “Magi and Majesty: A Study of Romanesque Sculpture and Liturgical Drama.” Art Bulletin 50 (1968): 215–22.

Geary, Patrick J. Furta sacra: Thefts of Relics in the Central Middle Ages. Revised edition. Princeton: Princeton University Press, 1990.

Guido of Arezzo. Micrologus. In Hucbald, Guido, and John on Music: Three Medieval Treatises, edited by Claude V. Palisca, translated by Warren Babb. New Haven: Yale University Press, 1978.

Hahn, Cynthia. “The Voices of the Saints: Speaking Reliquaries.” Gesta 36 (1997): 20–31.

Haines, John. “The Origins of the Musical Staff.” Musical Quarterly 91 (2008): 327–78.

Hiley, David. “The Music of Prose Offices in Honour of English Saints.” Plainsong and Medieval Music 10 (2001): 2337.

John. On Music. In Hucbald, Guido, and John on Music: Three Medieval Treatises, edited by Claude V. Palisca, translated by Warren Babb. New Haven: Yale University Press 1978.

Jones, Charles W. The Saint Nicholas Liturgy and Its Literary Relationships (Ninth to Twelfth Centuries), with an essay on the music by Gilbert Reaney. Berkeley: University of California Press, 1963.

Kruckenberg, Lori. “Neumatizing the Sequence: Special Performances of Sequences in the Central Middle Ages.” Journal of the American Musicological Society 59 (2006): 243–317.

Malcolm, Joan. “Epistola Joannis Cottonis ad Fulgentium episcopum.” Musica Disciplina 47 (1993): 15969.

Pesce, Dolores. “Guido d’Arezzo, ‘Ut Queant Laxis,’ and Musical Understanding.” In Music Education in the Middle Ages and the Renaissance, edited by Russell Eugene Murray, Susan Forscher Weiss, and Cynthia J. Cyrus, 2536. Bloomington: Indiana University Press, 2010.

Planchart, Alejandro. The Repertory of Tropes of Winchester. Princeton: Princeton University Press, 1977.

Rankin, Susan, ed. The Winchester Troper. London: Stainer and Bell, 2007.

Remensnyder, Amy G. “Legendary Treasure at Conques: Reliquaries and Imaginative Memory.” Speculum 71 (1996): 884–906.

Vitz, Evelyn Birge, et al. Performing Medieval Narrative. Cambridge, and Rochester, NY : D. S. Brewer, 2005.

Williams, Peter. “The Meaning of ‘Organum’: Some Case Studies.” Plainsong and Medieval Music 10 (2001): 10320.

Wright, Craig. “The Palm Sunday Procession in Medieval Chartres.” In The Divine Office in the Latin Middle Ages, edited by Margot Fassler and Rebecca A. Baltzer. Oxford: Oxford University Press, 2000.

Wulfstan of Winchester. Narratio metrica de S. Swithvno. Cited in Michael Lapidge, The Cult of St. Swithun, 387. Oxford: Oxford University Press, 2003.

Young, Karl, ed. The Drama of the Medieval Church. 2 volumes. Oxford: Oxford University Press, 1933.

Suggestions for Further Reading

Arlt, Wulf. “Sequence and ‘Neues Lied.’” In La Sequenza medievale: Atti del Convegno Internazionale, Milano, 7–8 aprile 1984, edited by Agostino Ziino, 2–18. Lucca: Libreria Musicale Italiana Editrice, 1992.

Boynton, Susan. “Liturgy and History at the Abbey of Farfa in the late eleventh century: Hymns of Peter Damian and other Additions to BAV Chigi C.VI.177.” Sacris Erudiri 39 (2000): 317–344.

Boynton, Susan and Margot Fassler, “Language, Form, and Performance: The Latin Texts of Monophonic Liturgical Chants,” in the Oxford Handbook of Medieval Latin, edited by Ralph Hexter and David Townsend, 686–730. Oxford: Oxford University Press, 2011.

Boynton, Susan and Eric Rice, eds. Young Choristers, 650–1700. Rochester: Boydell, 2008.

Björkvall, Gunilla and Andreas Haug. “Sequence and versus: on the history of rhythmical poetry in the eleventh century.” In Latin Culture in the Eleventh Century: Proceedings of the Third International Conference on Medieval Latin Studies Cambridge, September 9–12, 1998, Michael W. Herren et al. Vol. 1, 57–82 (Publications of the Journal of Medieval Latin, 5). Turnhout: Brepols, 2002.

Currie, Gabriela Ilnitchi. The Play of Meanings: Aribo’s De musica and the Hermeneutics of Musical Thought. Lanham, Md.: Scarecrow Press, 2005.

Fredell, Joel. “The Three Clerks and St. Nicholas in Medieval England.” Studies in Philology 92 (1995): 181–202.

Geary, Patrick. Women at the Beginning: Origin Myths from the Amazons to the Virgin Mary. Princeton, N.J.: Princeton University Press, 2006.

Green, Edward. “What Is Chapter 17 of Guido’s ‘Micrologus’ about? A Proposal for a New Answer.” International Review of the Aesthetics and Sociology of Music 38 (2007): 143–170.

Hiley, David. “The Office Chants for St. Oswald, King of Northumbria and Martyr.” In A due: Musical essays in honour of John D. Bergsagel and Heinrich W. Schwab, edited by Ole Kongsted, et al., 244–259. Copenhagen: University of Copenhagen, 2008.

Iversen, Gunilla. Laus Angelica: Poetry in the Medieval Mass. Edited by Jane Flynn; translated by William Flynn. Turnhout, Belgium: Brepols, 2010. (Originally published in French, 2001).

Kroll, Norma. “Power and Conflict in Medieval Ritual and Plays: The Re-Invention of Drama.”Studies in Philology 102 (2005): 452–483.

Kruckenberg, Lori. “The Sequence from 1050–1150: Study of a Genre in Change” PhD dissertation. University of Iowa, 1997.

Mengozzi, Stefano. “Virtual Segments: The Hexachordal System in the Late Middle Ages.” The Journal of Musicology 23, No. 3 (2006): 426–467.

Seidel, Linda. “Rethinking ‘Romanesque;’ Re-Engaging Roman[z].” Gesta 45 (2006): 109–123.

Tinkle, Theresa. “Exegesis Reconsidered: The Fleury ‘Slaughter of Innocents’ and the Myth of Ritual Murder.” The Journal of English and Germanic Philology 102 (2003): 211–243.