Chapter 6 Bibliography

Abels, Richard P., and Bernard S. Bachrach. The Normans and Their Adversaries at War. Woodbridge, Suffolk: Boydell and Brewer, 2001.
http://www.worldcat.org/oclc/46791143

Bloch, Howard. A Needle in the Right Hand of God: The Norman Conquest of 1066 and the Making and Meaning of the Bayeux Tapestry. New York: Random House, 2006.
http://www.worldcat.org/oclc/62341650

Boynton, Susan, and Isabelle Cochelin, eds. From Dead of Night to End of Day: The Medieval Customs of Cluny. Turnhout: Brepols, 2005.
http://www.worldcat.org/oclc/64592892

Boynton, Susan. “Medieval Musical Education as Seen through Sources Outside the Realm of Music Theory.” In Music Education in the Middle Ages and the Renaissance, edited by Russell Eugene Murray, Susan Forscher Weiss, and Cynthia J. Cyrus, 52–62. Bloomington: Indiana University Press, 2010.
http://www.worldcat.org/oclc/657643811

Boynton, Susan. Shaping a Monastic Identity: Liturgy and History at the Imperial Abbey of Farfa, 1000–1125. Ithaca, NY: Cornell University Press, 2006.
http://www.worldcat.org/oclc/60839289

Carlson, Rachel Golden. “Two Paths to Daniel’s Mountain: Poetic-Musical Unity in Aquitanian Versus.” Journal of Musicology 23 (2006): 620–46.
http://www.jstor.org/stable/10.1525/jm.2006.23.4.620

Coffey, Thomas F., Linda Kay Davidson, and Maryjane Dunn, trans. The Miracles of Saint James. New York: Italica Press, 1996.
http://www.worldcat.org/oclc/34553409

Crocker, Richard. “Two Recent Editions of Aquitanian Polyphony.” Plainsong and Medieval Music 3 (1994): 57–101.
http://dx.doi.org/10.1017/S0961137100000632
http://www.worldcat.org/oclc/4668892711

de Hamel, Christopher. Scribes and Illuminators. Toronto: University of Toronto Press, 1992.
http://www.worldcat.org/oclc/27643390

de la Cuesta, Ismael Fernández, ed. Liber Antiphonarium de toto anni circulo. Madrid: Ministerio de Cultura y Cabildo de la Sancta Iglesia Cathedral de León, 2011.
http://www.worldcat.org/oclc/726828585

Fuller, Sarah. “Hidden Polyphony: A Reappraisal.” Journal of the American Musicological Society 24 (1971): 169–92.
http://www.jstor.org/stable/830490

Fuller, Sarah. “Perspectives on Musical Notation in the Codex Calixtinus.” In El Códice Calixtino y la música de su tiempo, edited by José López Caló et al., 182–234. A Coruña: Fundación Pedro Barrié de la Maza, 2001.
http://www.worldcat.org/oclc/762624958

Hiley, David. “The Office of the Transfiguration by Peter the Venerable.” In Chant and Its Peripheries: Essays in Honor of Terence Bailey, edited by Bryan Gillingham and Paul Merkeley, 224–37. Ottawa: Institute of Mediaeval Music, 1998.
http://www.worldcat.org/oclc/40046968

Hiley, David. “Thurstan of Caen and Plainchant at Glastonbury: Musicological Reflections on the Norman Conquest.” Proceedings of the British Academy 72 (1986): 57–90.
http://epub.uni-regensburg.de/25519/1/ubr12756_ocr.pdf
http://www.worldcat.org/oclc/18806399

Huglo, Michel and George W. Hopkins. “A Lament for William the Conqueror.” Musical Times 108 (1967): 124–25.
http://www.jstor.org/stable/953924

Martin, Therese. “The Art of a Reigning Queen as Dynastic Propaganda in Twelfth-Century Spain.” Speculum 80 (2005): 1134–71.
http://www.jstor.org/stable/20463496

Rankin, Susan. “Exultent gentes occidentales: The Compostelan Office of St. James.” In El Códice Calixtino y la música de su tiempo, edited by José López Caló et al., 311–30. A Coruña: Fundación Pedro Barrié de la Maza, 2001.
http://www.worldcat.org/oclc/762624958

Raymond d’Aguilers. Historia Francorum Qui Ceperunt Iherusalem. Translated by John Hugh Hill and Laurita L. Hill. Philadelphia: American Philosophical Society, 1968.
http://www.worldcat.org/oclc/350429

Roesner, Edward. “The Codex Calixtinus and the Magnus Liber Organi: Some Preliminary Observations.” In El Códice Calixtino y la música de su tiempo, edited by José López Caló et al., 135–61. A Coruña: Fundación Pedro Barrié de la Maza, 2001.
http://www.worldcat.org/oclc/762624958

Schreiner, Stefan. “In Search of a ‘Golden Age’: Jews, Christians and Muslims in Mediaeval Spain.” Concilium 4 (2003): 35–50.
http://www.worldcat.org/oclc/53309746

Scillia, Charles E. “Meaning and the Cluny Capitals: Music as Metaphor.” Gesta 27 (1988): 133–48.
http://www.jstor.org/stable/767001

Shailor, Barbara. The Medieval Book: Illustrated from the Beinecke Rare Book and Manuscript Library. Toronto: University of Toronto Press, 1991.
http://www.worldcat.org/oclc/611197057

Steiner, Ruth. “The Music for a Cluny Office of Saint Benedict.” In Monasticism and the Arts, edited by Timothy G. Verdon, 81–113. Syracuse, NY: Syracuse University Press, 1984.
http://www.worldcat.org/oclc/9919725

Stones, Alison, Paula Gerson, et al. The Pilgrim’s Guide: A Critical Edition. London: H. Miller, 1998.
http://www.worldcat.org/oclc/44516975

Zapke, Susana, ed. Hispania Vetus: Musical-Liturgical Manuscripts from Visigothic Origins to the Franco-Roman Transition. Bilbao: Fundación BBVA, 2007.
http://www.worldcat.org/oclc/230727373


Chapter 6 Suggestions for Further Reading

Ashley, Kathleen and Marilyn Deegan. Being a Pilgrim: Art and Ritual on the Medieval Routes to Santiago. Aldershot: Lund Humphries, 2009.
http://www.worldcat.org/oclc/406108054

Codex Calixtinus de la Catedral de Santiago de Compostela. Madrid: Kaydeda Ediciones, 1993. [Facsimile]
http://www.worldcat.org/oclc/32000327

Crocker, Richard. “Early crusade songs.” In The Holy War, edited by Thomas Patrick Murphy, 78-98. Columbus: Ohio State University Press, 1976.
http://www.worldcat.org/oclc/2119405

Dunn, Maryjane and Linda Kay Davidson, eds. The Pilgrimage to Compostela in the Middle Ages: A Book of Essays. (Garland Reference Library of the Humanities, 1829; Garland Medieval Casebooks, 17). New York: Garland, 1996.
http://www.worldcat.org/oclc/34284271

Fuller, Sarah. “Early Polyphony to 1200.” In The Cambridge Companion to Medieval Music, edited by Mark Everist, 46-66. Cambridge: Cambridge University Press, 2011.
http://www.worldcat.org/oclc/614990227

Gillingham, Bryan, ed. Paris, Bibliothèque nationale, fonds latin 1139: d’après les manuscrits conservés à la Bibliothèque nationale de Paris. Ottawa, Canada: Institute of Mediaeval Music, 1987. [Facsimile]
http://www.worldcat.org/oclc/494032115

Golb, Norman. “The Music of Obadiah the Proselyte and his Conversion.” Journal of Jewish Studies 18 (1967): 43-63.
http://www.worldcat.org/oclc/6461979

Hiley, David. “Changes in English Chant Repertories in the Eleventh Century as reflected in the Winchester Sequences.” Anglo-Norman Studies XVI (1994): 137-154.
http://www.worldcat.org/oclc/11319864

Huglo, Michel. “The Origin of the Monodic Chants in the Codex Calixtinus.” In Essays on Medieval Music in Honor of David G. Hughes, edited by Graeme Boone (Isham Library Papers, 4), 195-205. Cambridge, Mass.: Harvard University Department of Music, 1995.
http://www.worldcat.org/oclc/31815169

Kosto, Adam J. “Hostages during the first century of the crusades.” Medieval Encounters: Jewish, Christian and Muslim Culture in Confluence and Dialogue 9 (2003): 3-31.
http://www.worldcat.org/oclc/437935175

Low, Peter.  “‘You Who Once Were Far Off’: Enlivening Scripture in the Main Portal at Vézelay.” The Art Bulletin 85 (2003): 469-489.
http://www.jstor.org/stable/3177383

Reilly, Bernard F., ed.  Santiago, Saint-Denis, and Saint Peter: the Reception of the Roman liturgy in León-Castile in 1080. New York: Fordham University Press, 1985.
http://www.worldcat.org/oclc/781802914

Rückert, Claudia. “A Reconsideration of the Woman with the Skull on the Puerta de las Platerías of Santiago de Compostela Cathedral.” Gesta 51(2012): 129-146.
http://www.jstor.org/stable/10.1086/670676

Switten, Margaret. “Singing the Second Crusade.” In The Second Crusade and the Cistercians, edited by Michael Gervers, 67-76. New York: St Martin’s Press, 1992.
http://www.worldcat.org/oclc/24141614

Tronzo, William. “The medieval object-enigma, and the problem of the Capella Palatina in Palermo.” In Late Antique and Medieval Art of the Mediterranean World, edited by Eva R. Hoffman, 367-388. Oxford: Blackwell Publishing, 2007 (reprint from 1993).
http://www.worldcat.org/oclc/4842036222

Werckmeister, O.K. “Cluny III and the Pilgrimage to Santiago de Compostela.” Gesta 27 (1988): 103-112.
http://www.jstor.org/stable/766998

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