Chapter 6 Bibliography

Abels, Richard P., and Bernard S. Bachrach. The Normans and Their Adversaries at War. Woodbridge, Suffolk: Boydell and Brewer, 2001.

Bloch, Howard. A Needle in the Right Hand of God: The Norman Conquest of 1066 and the Making and Meaning of the Bayeux Tapestry. New York: Random House, 2006.

Boynton, Susan, and Isabelle Cochelin, eds. From Dead of Night to End of Day: The Medieval Customs of Cluny. Turnhout: Brepols, 2005.

Boynton, Susan. “Medieval Musical Education as Seen through Sources Outside the Realm of Music Theory.” In Music Education in the Middle Ages and the Renaissance, edited by Russell Eugene Murray, Susan Forscher Weiss, and Cynthia J. Cyrus, 52–62. Bloomington: Indiana University Press, 2010.

Boynton, Susan. Shaping a Monastic Identity: Liturgy and History at the Imperial Abbey of Farfa, 1000–1125. Ithaca, NY: Cornell University Press, 2006.

Carlson, Rachel Golden. “Two Paths to Daniel’s Mountain: Poetic-Musical Unity in Aquitanian Versus.” Journal of Musicology 23 (2006): 620–46.

Coffey, Thomas F., Linda Kay Davidson, and Maryjane Dunn, trans. The Miracles of Saint James. New York: Italica Press, 1996.

Crocker, Richard. “Two Recent Editions of Aquitanian Polyphony.” Plainsong and Medieval Music 3 (1994): 57–101.

de Hamel, Christopher. Scribes and Illuminators. Toronto: University of Toronto Press, 1992.

de la Cuesta, Ismael Fernández, ed. Liber Antiphonarium de toto anni circulo. Madrid: Ministerio de Cultura y Cabildo de la Sancta Iglesia Cathedral de León, 2011.

Fuller, Sarah. “Hidden Polyphony: A Reappraisal.” Journal of the American Musicological Society 24 (1971): 169–92.

Fuller, Sarah. “Perspectives on Musical Notation in the Codex Calixtinus.” In El Códice Calixtino y la música de su tiempo, edited by José López Caló et al., 182–234. A Coruña: Fundación Pedro Barrié de la Maza, 2001.

Hiley, David. “The Office of the Transfiguration by Peter the Venerable.” In Chant and Its Peripheries: Essays in Honor of Terence Bailey, edited by Bryan Gillingham and Paul Merkeley, 224–37. Ottawa: Institute of Mediaeval Music, 1998.

Hiley, David. “Thurstan of Caen and Plainchant at Glastonbury: Musicological Reflections on the Norman Conquest.” Proceedings of the British Academy 72 (1986): 57–90.

Huglo, Michel and George W. Hopkins. “A Lament for William the Conqueror.” Musical Times 108 (1967): 124–25.

Martin, Therese. “The Art of a Reigning Queen as Dynastic Propaganda in Twelfth-Century Spain.” Speculum 80 (2005): 1134–71.

Rankin, Susan. “Exultent gentes occidentales: The Compostelan Office of St. James.” In El Códice Calixtino y la música de su tiempo, edited by José López Caló et al., 311–30. A Coruña: Fundación Pedro Barrié de la Maza, 2001.

Raymond d’Aguilers. Historia Francorum Qui Ceperunt Iherusalem. Translated by John Hugh Hill and Laurita L. Hill. Philadelphia: American Philosophical Society, 1968.

Roesner, Edward. “The Codex Calixtinus and the Magnus Liber Organi: Some Preliminary Observations.” In El Códice Calixtino y la música de su tiempo, edited by José López Caló et al., 135–61. A Coruña: Fundación Pedro Barrié de la Maza, 2001.

Schreiner, Stefan. “In Search of a ‘Golden Age’: Jews, Christians and Muslims in Mediaeval Spain.” Concilium 4 (2003): 35–50.

Scillia, Charles E. “Meaning and the Cluny Capitals: Music as Metaphor.” Gesta 27 (1988): 133–48.

Shailor, Barbara. The Medieval Book: Illustrated from the Beinecke Rare Book and Manuscript Library. Toronto: University of Toronto Press, 1991.

Steiner, Ruth. “The Music for a Cluny Office of Saint Benedict.” In Monasticism and the Arts, edited by Timothy G. Verdon, 81–113. Syracuse, NY: Syracuse University Press, 1984.

Stones, Alison, Paula Gerson, et al. The Pilgrim’s Guide: A Critical Edition. London: H. Miller, 1998.

Zapke, Susana, ed. Hispania Vetus: Musical-Liturgical Manuscripts from Visigothic Origins to the Franco-Roman Transition. Bilbao: Fundación BBVA, 2007.

Chapter 6 Suggestions for Further Reading

Ashley, Kathleen and Marilyn Deegan. Being a Pilgrim: Art and Ritual on the Medieval Routes to Santiago. Aldershot: Lund Humphries, 2009.

Codex Calixtinus de la Catedral de Santiago de Compostela. Madrid: Kaydeda Ediciones, 1993. [Facsimile]

Crocker, Richard. “Early crusade songs.” In The Holy War, edited by Thomas Patrick Murphy, 78-98. Columbus: Ohio State University Press, 1976.

Dunn, Maryjane and Linda Kay Davidson, eds. The Pilgrimage to Compostela in the Middle Ages: A Book of Essays. (Garland Reference Library of the Humanities, 1829; Garland Medieval Casebooks, 17). New York: Garland, 1996.

Fuller, Sarah. “Early Polyphony to 1200.” In The Cambridge Companion to Medieval Music, edited by Mark Everist, 46-66. Cambridge: Cambridge University Press, 2011.

Gillingham, Bryan, ed. Paris, Bibliothèque nationale, fonds latin 1139: d’après les manuscrits conservés à la Bibliothèque nationale de Paris. Ottawa, Canada: Institute of Mediaeval Music, 1987. [Facsimile]

Golb, Norman. “The Music of Obadiah the Proselyte and his Conversion.” Journal of Jewish Studies 18 (1967): 43-63.

Hiley, David. “Changes in English Chant Repertories in the Eleventh Century as reflected in the Winchester Sequences.” Anglo-Norman Studies XVI (1994): 137-154.

Huglo, Michel. “The Origin of the Monodic Chants in the Codex Calixtinus.” In Essays on Medieval Music in Honor of David G. Hughes, edited by Graeme Boone (Isham Library Papers, 4), 195-205. Cambridge, Mass.: Harvard University Department of Music, 1995.

Kosto, Adam J. “Hostages during the first century of the crusades.” Medieval Encounters: Jewish, Christian and Muslim Culture in Confluence and Dialogue 9 (2003): 3-31.

Low, Peter.  “‘You Who Once Were Far Off’: Enlivening Scripture in the Main Portal at Vézelay.” The Art Bulletin 85 (2003): 469-489.

Reilly, Bernard F., ed.  Santiago, Saint-Denis, and Saint Peter: the Reception of the Roman liturgy in León-Castile in 1080. New York: Fordham University Press, 1985.

Rückert, Claudia. “A Reconsideration of the Woman with the Skull on the Puerta de las Platerías of Santiago de Compostela Cathedral.” Gesta 51(2012): 129-146.

Switten, Margaret. “Singing the Second Crusade.” In The Second Crusade and the Cistercians, edited by Michael Gervers, 67-76. New York: St Martin’s Press, 1992.

Tronzo, William. “The medieval object-enigma, and the problem of the Capella Palatina in Palermo.” In Late Antique and Medieval Art of the Mediterranean World, edited by Eva R. Hoffman, 367-388. Oxford: Blackwell Publishing, 2007 (reprint from 1993).

Werckmeister, O.K. “Cluny III and the Pilgrimage to Santiago de Compostela.” Gesta 27 (1988): 103-112.