Chapter 7 Bibliography

Works cited in Music in the Medieval West

Abelard and Heloise: The Letters and Other Writings. Translated by William Levitan. Indianapolis: Hackett, 2007.

Abelard, Selected Songs and Poems. Translated by Stanley Lombardo and Barbara Thorburn. Indianapolis: Hackett, 2007.

Letters of Peter Abelard. Translated by Jan M. Ziolkowski. Washington, DC: Catholic University of America Press, 2008.

Abulafia, Anna Sapir. “Intellectual and Cultural Creativity.” In The Central Middle Ages: Europe 950–1320, edited by Daniel Power. Oxford: Oxford University Press, 2006.

Andreas Capellanus. The Art of Courtly Love. Translated by John Jay Perry. New York: Columbia University Press, 1990).

Aubrey, Elizabeth. “Genre as a Determinant of Melody in the Songs of the Troubadours and the Trouvères.” In Medieval Lyric: Genres in Historical Content, edited by William D. Paden, 273–96. Urbana: University of Illinois Press, 2000.

Aubrey, Elizabeth. The Music of the Troubadours. Bloomington: Indiana University Press, 1996.

Bossy, Michel-André and Nancy A. Jones. “Gender and Compilational Patterns in Troubadour Lyric: The Case of Manuscript N.” French Forum 2 (1996): 261–80.

Chenu, M. D. Nature, Man, and Society in the Twelfth Century. Translated by Jerome Taylor and Lester Little. Toronto: University of Toronto Press, 1997.

Constable, Giles. “The Place of the Crusader in Medieval Society.” Viator 29 (1998): 377–403.

Cyrus, Cynthia J. The Scribes for Women’s Convents in Late Medieval Germany. Toronto: University of Toronto Press, 2009.

Fassler, Margot E. “Composer and Dramatist: ‘Melodious Singing and the Freshness of Remorse.’” In Voice of the Living Light: Hildegard of Bingen and Her World, edited by Barbara Newman, 149–75. Berkeley: University of California Press, 1998.

Fassler, Margot E. “Volmar, Hildegard, and St. Matthias.” In Medieval Music in Practice: Studies in Honor of Richard Crocker, edited by Judith Peraino, 85–110. Middleton, WI: American Institute of Musicology, 2013.

Fassler, Margot E. “Who Was Adam of St. Victor? The Evidence of the Sequence Manuscripts.” Journal of the American Musicological Society 37 (1984): 233–69.

Fassler, Margot E. Gothic Song: Victorine Sequences and Augustinian Reform in Twelfth-Century Paris, 2nd ed. Notre Dame, IN: University of Notre Dame Press, 2011.

Grimbert, Joan Tasker. “Diminishing the Trobairitz, Excluding the Women Trouvères.” Tenso: Bulletin of the Société Guilhem IX 14 (1999): 23–38.

Hildegard of Bingen. Scivias. Translated by Mother Columba Hart and Jane Bishop. New York: Paulist Press, 1990.

Hildegard of Bingen. The Play of the Virtues. In Nine Medieval Latin Plays, edited and translated by Peter Dronke, 160–81. Cambridge: Cambridge University Press, 1994.

Hugh of St. Victor. On the Moral Ark of Noah. In Selected Spiritual Writings. Translated by a Religious of CSMV. London: Faber and Faber, 1962.

Josselyn-Cranson, Heather. “‘Moderate psallendo’: Musical Participation in Worship among Gilbertine Nuns.” Plainsong and Medieval Music 16 (2007): 173–86.

Klinck, Ann Lingard, and Anne Marie Rasmussen, eds. Medieval Women’s Song: Cross-Cultural Approaches. Philadelphia: University of Pennsylvania Press, 2002.

Leigh Choate, Tova, Margot Fassler, and William Flynn. “Hearing the Heavenly Symphony: An Overview of Hildegard’s Musical Oeuvre with Case Studies,” and “Hildegard as Musical Hagiographer: Engelberg, Stiftsbibliothek MS 103 and Her Songs for Saints Disibod and Ursula.” In A Companion to Hildegard of Bingen, edited by Beverly Kienzle, George Ferzoco, and Debra Stoudt. Leiden: Brill, 2013.

Minge, J. P., ed. Patrologia Latina, vol. 178. Paris: 1839.

Monson, Don A. “The Troubadours at Play: Irony, Parody and Burlesque.” In The Troubadours: An Introduction, edited by Simon Gaunt and Sarah Kay, 197–211. Cambridge: Cambridge University Press, 1999.

Monson, Don A. Andreas Capellanus, Scholasticism, and the Courtly Tradition. Washington, DC: Catholic University of America Press, 2005.

Noble, Thomas F.X., and John Van Engen, eds. European Transformations: The Long Twelfth Century. Notre Dame, IN: University of Notre Dame Press, 2011.

Shepard, Mary. “A Tomb for Abelard and Heloise.” Romance Studies 25 (2007): 29–42.×161734

Simmons, Loraine N. “The Abbey Church at Fontevraud in the Later Twelfth Century: Anxiety, Authority and Architecture in the Female Spiritual Life.” Gesta 31 (1992): 99–107.

Waddell, Chrysogonus. “Epithalamica: An Easter Sequence by Peter Abelard.” Musical Quarterly 72 (1986): 238–71.

Chapter 7 Suggestions for Further Reading

Bain, Jennifer. “Hildegard, Hermannus, and Late Chant Style.” Journal of Music Theory 52 (2008): 123–149.

Bell, Thomas J. Peter Abelard after marriage: the Spiritual Direction of Heloise and Her Nuns through Liturgical Song. Kalamazoo, Mich.: Cistercian Publications, 2007.

Cohen, Adam. “Making Memories in a Medieval Miscellany.” Gesta 48 (2009): 135–152.

Flynn, William T. “Letters, liturgy, and identity: the use of Epithalamica at the Paraclete.” In Sapientia et Eloquentia: Meaning and Function in Liturgical Poetry, Music, Drama, and Biblical Commentary in the Middle Ages, edited by Gunilla Iversen and Nicolas Bell, (Disputatio, 11), 301–348. Turnhout: Brepols, 2009.

Hildegard of Bingen. Lieder: Faksimile Riesencodex (Hs. 2) der Hessischen Landesbibliothek Wiesbaden, fol. 466–481v. Edited by Lorenz Welker, commentary by Michael Klaper, translated by Lori Kruckenberg. Wiesbaden: L. Reichert, 1998.

Hildegard of Bingen. Symphonia harmoniae caelestium revelationum: Dendermonde, St.-Pieters & Paulusabdij, ms. Cod. 9. Introduction by Peter van Poucke. Peer: Alamire, 1991.

Hildegard of Bingen. Symphonia, 2nd ed. Translated and edited by Barbara Newman, with an essay on the music by Marianne Richert Pfau. Ithaca: Cornell University Press, 1998.

Haines, John. “Viewing the Evidence: A sight-reading vielle player.” In The Sounds and Sights of Performance in Early Music: Essays in Honour of Timothy J. Mcgee, edited by Maureen Epp and Brian E. Power, 13–26. Farnham, Surrey, England; Burlington, VT: Ashgate, 2009.

Holsinger, Bruce W. Music, Body, and Desire in Medieval Culture: Hildegard of Bingen to Chaucer. Stanford: Stanford University Press, 2001.

Huglo, Michel. “Les débuts de la polyphonie a Paris: Les premiers organa parisiens” [The beginnings of polyphony in Paris: The first Parisian organa]. In Chant grégorien et musique médiévale, 93–163. Reprint of an article first published in 1982. Aldershot, England; Burlington, VT: Ashgate/Variorum, 2005.

Léglu, Catherine. Between Sequence and Sirventes: Aspects of Parody in the Troubadour Lyric. Oxford: University of Oxford, 2000.

Mayer-Martin, Donna and Dorothy Keyser. Thematic Catalogue of Troubadour and Trouvère Melodies. Hillsdale, NY: Pendragon Press, 2011.

Norton, Michael Lee and Amelia Carr. “Liturgical manuscripts, liturgical practice, and the women of Klosterneuburg.” Traditio: Studies in Ancient and Medieval History, Thought, and Religion 66 (2011): 67–170.

Ommundsen, Åslaug. “Books, Sequences, and Scribes in Medieval Norway,” 2 vols. PhD Dissertation. University of Bergen, 2006.

Schmitt, Jean-Claude. The Conversion of Herman the Jew: Autobiography, History, and Fiction in the Twelfth Century. Translated by Alex J. Novikoff. Philadelphia: University of Pennsylvania Press, 2010.

van der Werf, Hendrik and Gerald A. Bond. The Extant Troubadour Melodies: Transcriptions and Essays for Performers and Scholars. Rochester, NY: Hendrik van der Werf, 1984.

Waddell, Chrysogonus. “The Reform of the Liturgy from a Renaissance Perspective.” In Renaissance and Renewal in the Twelfth Century, edited by Robert Benson, Giles Constable, and Carol Lanham, 88–110. Toronto: University of Toronto Press, 1991. First edition published in 1982.